Italian Early Renaissance Painter, 1420-1497 Italian Renaissance painter. Early in his career he assisted Lorenzo Ghiberti on the east doors of the Baptistery in Florence and Fra Angelico on frescoes in Florence, Rome, and Orvieto. His reputation today rests on the breathtaking fresco cycle The Journey of the Magi (1459 C 61) in the chapel of Florence's Medici-Riccardi Palace. His work as a whole was undistinguished, however. He painted several altarpieces and a series of 25 frescoes of Old Testament scenes   Related Paintings of GOZZOLI, Benozzo :. | Madonna and Child Surrounded by Saints (detail)g dfg | Madonna della Cintola df | The Four Evangelists fg | Scenes from the Life of St Francis (Scene 10, north wall) dry | Procession of the Magi |
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Max Koch
(born July 17, 1854 - April 1, 1925) was a German-born Australian botanical collector. Born in Berlin, Koch was apprenticed to a merchant's office, but, not liking the work, joined the crew of a Glasgow-based sailing ship at Bremerhaven. He left it at Port Augusta, South Australia in April 1878, taking work at a wheat farm. Later he moved to Mount Lyndhurst sheep station, where he remained for many years. Around 1896 he began serious botanical collecting. Koch visited Germany around 1902-1903, then returned to Australia, and in 1904 moved to the extreme south-west of Western Australia, where he spent the next 17 years working in the timber industry. By that time he had a large family, and he supplemented his income by plant specimens, and, in his later years, seed. He died at Pemberton, Western Australia in 1925
la patelliere

Maclise, Daniel
Irish Painter, 1806-1870 Irish painter, active in England. He grew up in Cork where his father had set up as a shoemaker after discharge from the British army. In 1822 Maclise went to the Cork Institute where he began to draw from the newly arrived collection of casts made after the antique sculpture in the Vatican, laying the foundation of the strong draughtsmanship that characterizes his mature work. Richard Sainthill, antiquary and connoisseur, encouraged Maclise and introduced him to local literary and artistic circles, which were influenced by the Romantic movement and interested in Irish antiquities and oral traditions. Maclise was a central figure in this early phase of the Irish revival, and maintained an interest in Irish subject-matter throughout his career; in 1833 he painted Snap Apple (Mrs Cantor priv. col.), and in 1841 contributed illustrations to Samuel Carter Hall's Ireland: Its Scenery and Character. When Sir Walter Scott visited Cork in 1825, Maclise made a sketch of him that was lithographed, and that inaugurated his public career.